Off-Camera Flash the Easy Way
By
Rob Williams
Consultant
Category: Video Production

Having
used wireless flash heads in a studio situation, I know how bulky
they can be so I'd never considered using anything like that at
home. After being unable to get particularly good results from the
little pop-up flash on my camera, I decided to investigate hot shoe
mounting flashguns instead. I was reading my Nikon D80 owner's
manual (I was bored) when I noticed a menu setting for Wireless
Flash. It turns out that the Nikon D80, D90, D200, D300 and D700
cameras can all wirelessly trigger a Nikon Speedlite flashgun when
you take it off the hot shoe. So I decided to borrow one from the
Jigsaw Treasure Trove and give it a try.
It's slightly tricky to understand the process, as half of the
instructions are in thecamera manual and the other half are in the
manual for the Speedlite. Luckily, Nikon have produced a PDF cheat
sheet for each camera, which helps to clarify things. Basically,
you set the camera's own pop-up flash to Commander Mode (very James
Bond) and decide whether you want that flash to contribute to the
lighting or not. Then you press two buttons on the Speedlite to
enter its Custom Settings menu and switch the Wireless Mode
on.
When you press the shutter button to take a picture, the pop-up
fires a little pattern of pre-flashes, which tells the Speedlite to
fire. If you set the pop-up flash to fire too, you get light from
both in your picture. Otherwise, the pop-up produces just a tiny
trigger flash without contributing any substantial light.
Flash compensation settings on the camera are sent to the
Speedlite so that it can take them into consideration, and it can
even narrow or widen its beam as you zoom in and out. It keeps you
informed with a clever display of LEDs and optional beeps to make
sure you know when it's ready to fire again, or if it has detected
underexposure.
Unlike some other flash heads, the Speedlite is pretty easy to
hold on to. It also comes with a sturdy plate so that you can stand
it on a table or attach it to a tripod screw mount if you want to
keep both hands on your camera. The trigger even worked when the
flash was out of sight of the camera, I just couldn't fool it at
all (and believe me, I tried).
I took lots of great pictures (my wife threatened to injure me
after I'd been photographing her walking around the house for over
an hour), with a much nicer tone and shadowing effect than usual.
What's more, there was no red eye. The next day, I bought a
Speedlite for myself. I'd recommend it to anyone with one of those
cameras, especially schools that want to shed a bit more light on
their photography. Speedlites are brilliant for the classroom
because of their versatility - you can have them standing by as
on-camera flashes and then use them as remote flash heads in the
studio!
If you'd like to hear a bit more about any of our photography
products, call us on 03332 409 300 or send an email to learning@jigsaw24.com





