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Adobe (2) Final Cut (4) Video (6)

Become a Video Jedi: Manipulating Time and Motion

Jigsaw's Anthony Corcoran sheds some light on how you can use Final Cut Pro and Adobe Premiere Pro in the classroom to create amazing video content.

So, you’ve made the transition from using iMovie in the classroom to using Final Cut Express. Perhaps you’re even venturing into the land of pro-apps like Final Cut Pro and Adobe Premiere Pro. These are powerful tools, but the beauty of their design means that you don’t need to spend months learning the ins and outs before you can start creating amazing video content. Teach your class a few basic rules and they can be up and running almost immediately. Develop their techniques and they can, erm, run faster.

I’ve put together my top tips on manipulating time & motion to get you started.

(Disclaimer - this article will not give you or your students the ability to actually manipulate time and motion, just the speed of your footage).

 

Always remember: “It is not the spoon that bends, it is only yourself”

Never quite worked this one out, but it seemed an apt thing to mention before I start dishing out advice. And I really like The Matrix. Anyway, back to time and motion…

 

Change the speed of your clip without that staggered look

Adjusting the footage speed is easy:

In Final Cut Pro, go to Modify > Speed (or hit Command-J).

In Adobe Premiere Pro, go to Clip > Speed/Duration (or hit Command-R on a Mac or Ctrl-R on Windows).

This brings up a dialogue box that allows you to change the speed of the clip by duration or speed percentage, with 100% being normal speed (for example, if you want to double the speed of your video, type in 200%).

However, people often make the schoolboy error of banging in any old percentage, which can lead to jerky or staggered playback caused by dropped frames. This will be vastly improved if the percentage is adjusted in multiples of 25: 125%, 250% 375% etc. The reason for this is that we use the PAL colour encoding system in the UK, which works at 25 frames per second. By adjusting the speed in these multiples, fewer frames (or none at all) have to be dropped and you can create a smoother slow-mo/speed-up.

 

Complicated speed-adjustment sequence? Try Time Remapping

In the olden days, this kind of function was only available in applications like Adobe After Effects, but now you can do it in both Premiere Pro & Final Cut Pro. If you want to make more than one speed adjustment, it’s well worth taking 5 minutes to learn about Time Remapping. It gives you complete control over the speed of a piece of video, so you can go from normal speed, to fast, to slow, to fast, to slow (you get the idea), in any increment and at any point. It also sounds pretty cool when you begin your lesson with the immortal words “Today, class, we’re going to remap time…”

 

Use Motion Blur & Frame Blending

If you’ve adjusted the speed of a clip and find that it looks staggered, you can use Frame Blending to smooth it out. If that doesn’t do the trick, then it’s time to stop playing around and bring out the big guns: Motion Blur. Like Time Remapping, Motion Blur was once associated almost exclusively with After Effects and as such was reserved for motion-graphics artists.

It looks like there was a meeting that I wasn’t invited to, because now everyone seems to be getting in on the action, whether they’re professionals or amateurs. Even students can get a taste of this industry standard technique, which will give them a real head start if they want to get into the creative industry further down the line.

Motion Blur will help make movement look natural and clean, but be warned: this isn’t a real-time effect and, as with all blurs, it takes some heavy-rendering time (something worth considering before you try to introduce it into all of your lessons).

 

All of these tips will vastly improve your speed changes in post-production and they’re all quite easy to master, so your class will be using the editing tools confidently in no time. However, if you’re going to be working on special projects for displays or even competitions and absolutely, positively have to impress with a manipulated time sequence…

 

Buy a Sony PMW-EX1 or EX3 Camcorder

There’s nothing quite like shooting your sequence with a camera that can over- and under-crank (speed up and slow down action) like they do in the movies! There are loads of cameras out there that can do this but they can be on the expensive side. If you can afford to buy one for your school, I guarantee that you’ll be stunned by the results (and so will your students). If that’s a little rich for your budget, investing in software like these is a cheaper way to try your hand at some of the same effects.

 

We stock Adobe Premiere Pro in our shop, as well as Final Cut Studio (contact us for details about an Education discount - you can call us on 03332 409 333 or email learning@jigsaw24.com).

 

Been saving the pennies? Take a look at the Sony PMW-EX1 Camcorder (available at a great price) and the more recent PMW-EX3 (which includes even more features than its predecessor).